Hi guys! How have you all been?
Hi, pleased to meet you. It’s been nice and steady lately, perhaps a bit hectic at times. Normal stuff.
Last April you released your latest album ‘’Dissociation’’. How has the reception been so far?
“Dissociation” was well received from the underground. Some people did drift away because of the significant style shift to a more extreme sound, we guess, but the ones that stayed with us and those who came along the way really get our drift. We also organized and carried out a European Tour with our friends in Minerva Superduty to promote the album, during which the feedback we received was awesome. Lastly, speaking strictly in numbers, “Dissociation” is almost sold-out, so there’s that.
How did you decide to put vocals in your music?
It wasn’t much of a “decision” -let alone a deliberate one-. We really enjoy music both ways. At the time ‘Sequences’ was written we felt that there was not much vital space left for vocals. On ‘Dissociation’ we did find that ground to add an extra instrument, and the whole writing process was adjusted accordingly.
What inspires you the most?
Pretty much everything evolving around us. With music having a key role, inevitably, translating our perception of the world to sound.
Apart from your favorite bands what else would you name as a key influence?
I think each one’s social circle and everyday interactions are crucial. They shape each person slowly and steadily day by day. Art in every form is also a major influence for us. It’s just amazing to see how people can express themselves in so many different ways.
How is music produced in Kalpa?
We all contribute to each composition equally. The initial idea can only come from one single person; we then process it collectively, brainstorm on it and rehearse it till it reaches the point where we can visualize performing it live. Then, it’s not unusual for us to actually play it on stage to see if it passes the test or if we should make more adjustments to the song.
Given that your first album ‘’Sequences’’ was an instrumental one, how did you decide then to give your songs the song titles you did?
The “Sequences*” era seems somewhat far behind us, now. We really don’t remember a lot of specifics about the titles, just that at the time they felt good as a representation of the songs they were given to.
What does the name Kalpa represent?
A kalpa is, essentially, a Sanskrit word for a scale that times the creation, death and recreation of a world or universe. It is also a Finnish hockey team and a black metal solo artist from South Korea. There are probably more current updates on Wikipedia that we’re not aware of.
What are you listening to these days?
Tons of stuff where it reaches the point of being impossible to even start a list from the top of our heads. The amount of produced music -most of it being great, granted- is overwhelming. At this very moment, one of us probably headbangs to the new Succumb album and another one revisits Botch, while a third one absorbs old-school Hip-Hop. A couple of us also enjoyed the new album by the Afghan Whigs lately. The combinations are infinite.
You recently played two shows in Crete. How did it go there?
We had a great time in Crete and we’re really glad we’ve been given the chance (as individuals) to revisit the island, which we hadn’t done in years. We played Heraklion and Chania and people down there profoundly enjoy extreme music. Shout out to everyone who run the shows, those who came over and the bands we shared the stage with.
Do you have any live shows planned in the months to come?
At the moment we’re mainly focusing on writing the new album more than everything else, but we’re always available when it comes to being a part of and supporting initiatives that make sense to us, such as an upcoming DIY festival in Corfu in early June and Svenfest VII in Karditsa in late July, both of which we’ll be performing at.
What does the future hold for Kalpa?
A new album and as many gigs as we can possibly handle, both home and abroad.