Interview with Daniel Pilsäter from No Omega

Hi there! First of all congratulations on your new album! On what degree does it follow on from its predecessor?
Hi, thanks! It’s a fun record for me, because there’s a lot of new stuff going on. We have a new drummer since the last record, and even though we step off in some familiar ground on some songs, we’ve tried things that I’ve wanted to do for a while! There are still themes that we’ve touched upon before, but I think Oscar (vocals) is writing a much more personal record this time.

Can you tell us about your main influences?
Musically, I think we all come from listening to screamo, and moody rock music. Swedish screamo like Suis la lune and Italian bands like Raein and La Quiete, or American bands like Loma Prieta or Ampere. Earlier on I’d say Converge, Killing the Dream, Meleeh and maybe post-metal stuff played a bigger part for us.

Where do you draw inspiration from?
We’ve pulled a lot of lyrical themes from the Ishmael book series. I’d say there’s a feeling that comes from a more diffuse place though, the frustration and hopelessness that the world puts on your shoulders. Like you know something’s wrong, with everything, and there’s nothing we can do.

How is music produced in No Omega?
It almost always comes from someone who wrote some guitar parts at home, brings it to the band where we hash out a structure and maybe find new ways to play the chords together. It used to be Oscar and Andreas (old singer), and then I started writing some songs, and now we have a pretty good system on how to get a core for a song going. Gabriel who joined on drums 2015 has really pushed our writing, in my opinion. Joakim who plays bass never brings his own songs from scratch, but he has a lot of good ideas, and always wants to try and find new ways of playing a song.

Your new album ‘’Culture’’ comes out on May. How did the recording sessions go?
I thought they were good. We spent two weekends up in Söderhamn with our friend Dennis, just recording and hanging out with the Söderhamn crew. We finished up the vocals in Stockholm, but I really appreciate the chance to leave Stockholm when we record this band. I need to focus, and have an outsider kind of push us through the sessions.

Is there a concept behind this album you’d like to talk about?
Hmm. If there is a concept, I’d say it’s communication. That’s the new thing in the lyrics, and it ties a lot of the songs together. We keep talking about how important communication is, both between ourselves, but also from band to audience, and how hard it can be. When making music, it’s important to me that what I think also comes through to the listener, and sometimes it feels useless even trying. And then when it works, and you connect, it’s amazing.

What are you listening to these days?
I got heavily into the artist Mitski this winter, and her new record Puberty 2. It’s SO GOOD. Other than that, I listen to a lot of americana/folky stuff, and for aggressive music it’s either death metal, hardcore stuff like Protester or more screamo. And the usual, Radiohead, Kent etc.

Which is your favorite way of enjoying music? What would you choose between digital and physical format?
I like collecting music physically, because of the packaging, and you get another relationship to the record. But I rarely sit down and listen to my records anymore, and I have even started paying for Spotify. I used to just get my music digitally and put it on an iPod or something. Now I have playlists of stuff I’m into, like full albums, but I have to admit I sometimes listen to normal playlists too…

Do you have any live shows planned for this year?
We’re doing a release tour for Culture in April, which will be our first tour booked by Loudnoise. We’ll be playing mainland Europe, and this summer we’re coming back with our Japanese friends Endzweck to play festivals.
We have some more things lined up, but we’ll see what comes through! We might even play a hometown show this year.

What does the future hold for No Omega?
No idea. We’ve been a band for a long time now. We’ll see.

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